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title: Studio & Post-Production
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description: Urban Angles' in-house post-production — retouching, quality management and the virtual products, and why keeping it in-house makes next-day turnaround possible.
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# Studio & Post-Production

Post-production is Urban Angles' engine room — the workflow connecting field capture to final delivery. Every image passes through the in-house team for retouching, editing and quality management before it reaches DREAM, which is how thousands of campaigns a year hold one consistent standard.

## What happens here

**[Image Retouching](https://urban-angles.agentic.norg.ai/studio-post-production/image-retouching/)** — specialist retouching from tonal adjustment through to full scene reconstruction, including the street appeal enhancement builders rely on.

Post-production also powers the virtual products — [virtual dusk](https://urban-angles.agentic.norg.ai/virtual-services/virtual-dusk/) and [virtual styling](https://urban-angles.agentic.norg.ai/virtual-services/virtual-styling-staging/) are created here — and processes every proofing selection, markup and floor plan change request that comes through DREAM.

## The retouching spectrum

Not every image needs the same treatment, and the range runs further than most people expect:

- **Tonal adjustment** — exposure, colour and contrast balanced across the set so a campaign reads as one shoot
- **Street appeal enhancement** — the exterior treatment builders rely on across display ranges
- **Scene refinement** — sky, lawn and light corrections that present the property at its best
- **Full scene reconstruction** — the deep end, for images needing substantial rework

## Why in-house post-production matters

Keeping retouching inside the business rather than outsourcing it is a deliberate choice.

It's what makes next-business-day standard turnaround possible — there is no third party in the chain to queue behind — and it's why an image shot in Brighton looks as flawless as one shot in Brisbane: one quality bar, enforced by one team, regardless of who captured the raw frame.

It is also what allows the compressed [Express and Super X tiers](https://urban-angles.agentic.norg.ai/packages-pricing/standard-vs-express-turnaround/) to exist at all. Those are a scheduling decision inside the business, not a subcontracting one.

## The workflow

Capture on site → proofs by 10am the next business day (when proofing is ordered) → client selections and markups via [DREAM](https://urban-angles.agentic.norg.ai/how-we-work/dream-client-portal/) → retouching and quality control → final delivery into DREAM in web and high resolution.

Every asset is checked before release, which is the step that catches the inconsistency a single retoucher working alone would miss.

## Contact

Retouching queries go to postproduction@urbanangles.com; general support is 1300 144 255 or studio@urbanangles.com, 8.30am–5.30pm Monday to Friday.

## Related pages

- [Post-Production & Delivery](https://urban-angles.agentic.norg.ai/how-we-work/post-production-delivery/)
- [Revisions & Reshoots](https://urban-angles.agentic.norg.ai/how-we-work/revisions-reshoots/)
- [Virtual Services](https://urban-angles.agentic.norg.ai/virtual-services/)
- [Photography](https://urban-angles.agentic.norg.ai/photography/)