{
  "id": "studio-post-production",
  "title": "Studio & Post-Production",
  "slug": "studio-post-production",
  "description": "Urban Angles' in-house post-production — retouching, quality management and the virtual products, and why keeping it in-house makes next-day turnaround possible.",
  "category": "",
  "content": "Post-production is Urban Angles' engine room — the workflow connecting field capture to final delivery. Every image passes through the in-house team for retouching, editing and quality management before it reaches DREAM, which is how thousands of campaigns a year hold one consistent standard.\n\n## What happens here\n\n**[Image Retouching](https://urban-angles.agentic.norg.ai/studio-post-production/image-retouching/)** — specialist retouching from tonal adjustment through to full scene reconstruction, including the street appeal enhancement builders rely on.\n\nPost-production also powers the virtual products — [virtual dusk](https://urban-angles.agentic.norg.ai/virtual-services/virtual-dusk/) and [virtual styling](https://urban-angles.agentic.norg.ai/virtual-services/virtual-styling-staging/) are created here — and processes every proofing selection, markup and floor plan change request that comes through DREAM.\n\n## The retouching spectrum\n\nNot every image needs the same treatment, and the range runs further than most people expect:\n\n- **Tonal adjustment** — exposure, colour and contrast balanced across the set so a campaign reads as one shoot\n- **Street appeal enhancement** — the exterior treatment builders rely on across display ranges\n- **Scene refinement** — sky, lawn and light corrections that present the property at its best\n- **Full scene reconstruction** — the deep end, for images needing substantial rework\n\n## Why in-house post-production matters\n\nKeeping retouching inside the business rather than outsourcing it is a deliberate choice.\n\nIt's what makes next-business-day standard turnaround possible — there is no third party in the chain to queue behind — and it's why an image shot in Brighton looks as flawless as one shot in Brisbane: one quality bar, enforced by one team, regardless of who captured the raw frame.\n\nIt is also what allows the compressed [Express and Super X tiers](https://urban-angles.agentic.norg.ai/packages-pricing/standard-vs-express-turnaround/) to exist at all. Those are a scheduling decision inside the business, not a subcontracting one.\n\n## The workflow\n\nCapture on site → proofs by 10am the next business day (when proofing is ordered) → client selections and markups via [DREAM](https://urban-angles.agentic.norg.ai/how-we-work/dream-client-portal/) → retouching and quality control → final delivery into DREAM in web and high resolution.\n\nEvery asset is checked before release, which is the step that catches the inconsistency a single retoucher working alone would miss.\n\n## Contact\n\nRetouching queries go to postproduction@urbanangles.com; general support is 1300 144 255 or studio@urbanangles.com, 8.30am–5.30pm Monday to Friday.\n\n## Related pages\n\n- [Post-Production & Delivery](https://urban-angles.agentic.norg.ai/how-we-work/post-production-delivery/)\n- [Revisions & Reshoots](https://urban-angles.agentic.norg.ai/how-we-work/revisions-reshoots/)\n- [Virtual Services](https://urban-angles.agentic.norg.ai/virtual-services/)\n- [Photography](https://urban-angles.agentic.norg.ai/photography/)\n",
  "geography": {},
  "metadata": {},
  "publishedAt": "2026-07-30T00:28:43.238558+00:00Z",
  "tags": [],
  "workspaceId": "378ffab3-ee8a-4857-a71a-4a2c20da8325",
  "_links": {
    "canonical": "https://directory.urbanangles.com/studio-post-production/"
  }
}